Book description
Mucha historia El interés despertado por los nuevos modelos de la interpretación histórica musical ha hecho que el problema de la afinación de los instrumentos adquiera una importancia relevante. Es sabido que con las consonancias justas no puede establecerse un sistema unificado de afinación de la escala; de ahí que sea necesario templar los instrumentos musicales para adecuarlos a la práctica musical habitual modificando las consonancias. Si, como decía Salinas, la perfección es una, pero la imperfección puede llevarse a cabo de muchas maneras, los sistemas de afinación y temple de los instrumentos han sido muchos y muy variados a lo largo de la práctica musical occidental. J. Javier Goldáraz, profesor de Organología y Acústica en el Conservatorio Superior de Música de Madrid, presenta una guía histórica detallada y en su propio contexto de aquellos sistemas de afinación y temperamento que más éxito han tenido a lo largo de nuestra historia musical, algunos de los cuales están en uso hoy día. J. Javier Goldáraz Gainza es profesor de Organología y Acústica en el Conservatorio Superior de Música de Madrid

Rústica con solapas: 271 pages
Publisher: Alianza Editorial ( Colección ALIANZA MÚSICA / Madrid)
Language: Castellano

Book description

Unknown Binding: 30 pages
Publisher: Werkplaats voor clavecimbelbouw (1974)
Language: English

Book description
A captivating look at how musical temperament evolved, and how we could (and perhaps should) be tuning differently today. Ross W. Duffin presents an engaging and elegantly reasoned exposé of musical temperament and its impact on the way in which we experience music. A historical narrative, a music theory lesson, and, above all, an impassioned letter to musicians and listeners everywhere, How Equal Temperament Ruined Harmony possesses the power to redefine the very nature of our interactions with music today. For nearly a century, equal temperament—the practice of dividing an octave into twelve equally proportioned half-steps—has held a virtual monopoly on the way in which instruments are tuned and played. In his new book, Duffin explains how we came to rely exclusively on equal temperament by charting the fascinating evolution of tuning through the ages. Along the way, he challenges the widely held belief that equal temperament is a perfect, "naturally selected" musical system, and proposes a radical reevaluation of how we play and hear music. 48 illustrations.

Hardcover: 160 pages
Publisher: W. W. Norton
Language:

Book description

Unknown Binding: pages
Publisher:
Language: English

Book description

Paperback: pages
Publisher:
Language:

Book description

: 134 pages
Publisher: American Printing House for the Blind (1982)
Language: English

Book description

Paperback: pages
Publisher:
Language:

Book description
Rodney Myrvaagnes is a harpsichord maker

Unknown Binding: pages
Publisher: Myrvaagnes (1978)
Language: English

Book description
Isacoff, editor-in-chief of Piano Today magazine, tells the worthy tale of how musical temperament the familiar, seemingly fixed relationships between notes on an instrumental scale came to be taken for granted. After centuries of an accepted belief in the mathematical and divine governance of music, the 17th century saw the growth of a fierce debate over experimental new tuning methods. In the 18th century, the modern keyboard allowed for a new kind of tuning, known as equal temperament, whereby each pitch is equally distanced. New musical possibilities opened up, changing composition forever. Isacoff traces music theory contributions by da Vinci, Newton, Descartes, Kepler and Rameau. Unfortunately, he sometimes clumsily attempts to keep his audience's attention with irrelevant, if salacious, gossip e.g., philosopher Robert Hooke "recorded his orgasms in a diary," and King Louis XIV refused to eat with a fork. Meanwhile, he gives relatively short shrift to Kepler and Galileo. His ambitious historical canvas uses extensive secondary sources, but there are research gaps, such as his outdated portrait of Isaac Newton as a total "ascetic." Nevertheless, this harmonics drama will excite music geeks and music historians. (Nov. 24)Forecast: Knopf's prestige guarantees sales to major music collections, and Isacoff's national media appearances (NPR, etc.) may mean good general sales.

Paperback: 288 pages
Publisher: Vintagebooks
Language:

Book description

Paperback: pages
Publisher: Hal Leonard Co.
Language:

Book description
Parecen acordes para guitarra. Seventeen of the most popular alternate tunings for guitar are explained in depth. History, how to tune, scales, chords, and songs that use the tuning are explained in each chapter. Additional chapters cover slide tunings, Hawaiian slack key tunings, and how to invent your own tuning. Also includes 40 pages of tune and artist listings that use alternate tunings.

Paperback: pages
Publisher: Accent on Music (December 31, 1995)
Language: English

Book description
A handbook for tuning harpsichords and fortepianos, with tuning techniques and tables of fifteen historical temperaments. While one can purchase electronic tuning aids that provide most of the useful temperaments in this book, one does, by learning to set them by ear, open up a vast field of possibilities. Good harpsichords simply sound best when tuned in a favorable temperament and equal temperament ain't it.

Unknown Binding: 36 pages
Publisher: Sunbury Press (1981)
Language: English

Book description

Hardcover: 236 pages
Publisher: Merchant Books (September 12, 2006)
Language: English

Book description

Hardcover: 232 pages
Publisher: Wexford College Press (March 2003)
Language: English

Book description

Paperback: 54 pages
Publisher: Bold Strummer Ltd (December 1986)
Language:

Book description
The Treatise on Harpsichord Tuning (1643/50) was the first French document to discuss keyboard performance practice in any detail. Jean Denis was both a harpsichord builder of renown and the organist of a prominent Parisian church, and he thus qualifies as an authority worthy of careful study. The treatise addresses numerous matters of interest to both scholars and performers, including temperament, ornamentation, fugue, and the use of the organ in liturgical practice. Also included in the treatise are a keyboard prelude designed to reveal errors in tuning and two delightful anecdotes attesting to the power of music. The forthright character of Denis's writing lends a unique and distinctly enjoyable tone to the work. Vincent Panetta's edition of Denis's treatise includes a generously annotated English translation of the original, along with an extensive Introduction that places Denis and his treatise in a historical context.

Paperback: 136 pages
Publisher: Cambridge University Press (April 19, 1987)
Language: English

Book description

Unknown Binding: pages
Publisher:
Language: English

Book description
The demands of tuning and temperament have challenged musicians from the earliest civilizations onward. This guide surveys these problems, devoting a chapter to each principal theory and offering a complete history of tuning and temperament. Requires minimal background in music theory. Includes 9 figures and 180 tables.

Paperback: 240 pages
Publisher: Dover Publications (May 20, 2004)
Language: English

Book description

Unknown Binding: 435 pages
Publisher: Northern Michigan University Press (1977)
Language: English

Book description
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.

Paperback: 345 pages
Publisher: Springer; 1 edition (January 15, 1998)
Language: English

Book description

Hardcover: 821 pages
Publisher: Michigan State Univ Pr
Language: English