Book description
J. Javier Goldáraz, profesor de Organología y Acústica en el Conservatorio Superior de Música de Madrid, presenta una guía histórica detallada y en su propio contexto de aquellos sistemas de afinación y temperamento que más éxito han tenido a lo largo de nuestra historia musical, algunos de los cuales están en uso hoy día. J. Javier Goldáraz Gainza es profesor de Organología y Acústica en el Conservatorio Superior de Música de Madrid

Rústica con solapas: 271 pages
Publisher: Alianza Editorial ( Colección ALIANZA MÚSICA / Madrid)
Language: Castellano

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Unknown Binding: 30 pages
Publisher: Werkplaats voor clavecimbelbouw (1974)
Language: English

Book description
A captivating look at how musical temperament evolved, and how we could (and perhaps should) be tuning differently today. Ross W. Duffin presents an engaging and elegantly reasoned exposé of musical temperament and its impact on the way in which we experience music. A historical narrative, a music theory lesson, and, above all, an impassioned letter to musicians and listeners everywhere, How Equal Temperament Ruined Harmony possesses the power to redefine the very nature of our interactions with music today. For nearly a century, equal temperament—the practice of dividing an octave into twelve equally proportioned half-steps—has held a virtual monopoly on the way in which instruments are tuned and played. In his new book, Duffin explains how we came to rely exclusively on equal temperament by charting the fascinating evolution of tuning through the ages. Along the way, he challenges the widely held belief that equal temperament is a perfect, "naturally selected" musical system, and proposes a radical reevaluation of how we play and hear music. 48 illustrations.

Hardcover: 160 pages
Publisher: W. W. Norton
Language:

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Unknown Binding: pages
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Language: English

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Paperback: pages
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: 134 pages
Publisher: American Printing House for the Blind (1982)
Language: English

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Paperback: 202 pages
Publisher: Dover Publications; First Thus edition (June 1, 1975)
Language: English

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Rodney Myrvaagnes is a harpsichord maker

Unknown Binding: pages
Publisher: Myrvaagnes (1978)
Language: English

Book description
Isacoff, editor-in-chief of Piano Today magazine, tells the worthy tale of how musical temperament the familiar, seemingly fixed relationships between notes on an instrumental scale came to be taken for granted. After centuries of an accepted belief in the mathematical and divine governance of music, the 17th century saw the growth of a fierce debate over experimental new tuning methods. In the 18th century, the modern keyboard allowed for a new kind of tuning, known as equal temperament, whereby each pitch is equally distanced. New musical possibilities opened up, changing composition forever. Isacoff traces music theory contributions by da Vinci, Newton, Descartes, Kepler and Rameau. Unfortunately, he sometimes clumsily attempts to keep his audience's attention with irrelevant, if salacious, gossip e.g., philosopher Robert Hooke "recorded his orgasms in a diary," and King Louis XIV refused to eat with a fork. Meanwhile, he gives relatively short shrift to Kepler and Galileo. His ambitious historical canvas uses extensive secondary sources, but there are research gaps, such as his outdated portrait of Isaac Newton as a total "ascetic." Nevertheless, this harmonics drama will excite music geeks and music historians. (Nov. 24)Forecast: Knopf's prestige guarantees sales to major music collections, and Isacoff's national media appearances (NPR, etc.) may mean good general sales.

Paperback: 288 pages
Publisher: Vintagebooks
Language:

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Paperback: pages
Publisher: Hal Leonard Co.
Language:

Book description
Parecen acordes para guitarra. Seventeen of the most popular alternate tunings for guitar are explained in depth. History, how to tune, scales, chords, and songs that use the tuning are explained in each chapter. Additional chapters cover slide tunings, Hawaiian slack key tunings, and how to invent your own tuning. Also includes 40 pages of tune and artist listings that use alternate tunings.

Paperback: pages
Publisher: Accent on Music (December 31, 1995)
Language: English

Book description
A handbook for tuning harpsichords and fortepianos, with tuning techniques and tables of fifteen historical temperaments. While one can purchase electronic tuning aids that provide most of the useful temperaments in this book, one does, by learning to set them by ear, open up a vast field of possibilities. Good harpsichords simply sound best when tuned in a favorable temperament and equal temperament ain't it.

Unknown Binding: 36 pages
Publisher: Sunbury Press (1981)
Language: English

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Hardcover: 236 pages
Publisher: Merchant Books (September 12, 2006)
Language: English

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Hardcover: 232 pages
Publisher: Wexford College Press (March 2003)
Language: English

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Paperback: 54 pages
Publisher: Bold Strummer Ltd (December 1986)
Language:

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The Treatise on Harpsichord Tuning (1643/50) was the first French document to discuss keyboard performance practice in any detail. Jean Denis was both a harpsichord builder of renown and the organist of a prominent Parisian church, and he thus qualifies as an authority worthy of careful study. The treatise addresses numerous matters of interest to both scholars and performers, including temperament, ornamentation, fugue, and the use of the organ in liturgical practice. Also included in the treatise are a keyboard prelude designed to reveal errors in tuning and two delightful anecdotes attesting to the power of music. The forthright character of Denis's writing lends a unique and distinctly enjoyable tone to the work. Vincent Panetta's edition of Denis's treatise includes a generously annotated English translation of the original, along with an extensive Introduction that places Denis and his treatise in a historical context.

Paperback: 136 pages
Publisher: Cambridge University Press (April 19, 1987)
Language: English

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Unknown Binding: pages
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Language: English

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The demands of tuning and temperament have challenged musicians from the earliest civilizations onward. This guide surveys these problems, devoting a chapter to each principal theory and offering a complete history of tuning and temperament. Requires minimal background in music theory. Includes 9 figures and 180 tables.

Paperback: 240 pages
Publisher: Dover Publications (May 20, 2004)
Language: English

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Unknown Binding: 435 pages
Publisher: Northern Michigan University Press (1977)
Language: English

Book description
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.

Paperback: 345 pages
Publisher: Springer; 1 edition (January 15, 1998)
Language: English

Book description
Consonance and dissonance are the very foundation of harmonic music... consonance represents the element of smoothness and repose, while dissonance represents the no less important elements of roughness and irregularity.? TTSS begins by asking (and answering) the question: How can we build a device to measure consonance and dissonance? The remainder of the book describes the impact of such a 'dissonance meter' on music theory, on synthesizer design, on the construction of musical scales and tunings, on the design of musical instruments, and introduces related compositional techniques and new methods of musicological analyses.

Hardcover: 430 pages
Publisher: Springer; 2nd edition (November 4, 2004)
Language:

Book description
This absolutely enormous book is one of the classics on musical temperament; for some reason most such books are out of print and hard to get hold of, and this is no exception. The title has got cut off in the Amazon entry - the full title is: "Tuning: Containing the Perfection of Eighteenth-Century Temperament, the Lost Art of Nineteenth-Century Temperment and the Science of Equal Temperment, Complete with Instructions for Aural and Electronic Tuning." It is a mixture of history of tunings and temperaments, and explicit tuning instructions for various temperaments. An interesting thread running through the book is a detailed argument to the effect that equal temperament was not commonplace until the twentieth century. If you're interested in this book, you might want to get hold of the recordings by Enid Katahn, "Six degrees of Tonality" and "Beethoven in the Temperaments." The former consists of recordings of a number of pieces from different periods of musical history, played on a piano tuned by Edward Foote in temperaments appropriate to the era. Also included are three different takes of the Mozart Fantasie Kv.397 in meantone, "Prelleur" temperament and equal temperament. Other books you might want to check out are Barbour's "Tuning and Temperament" and Dominique Devie's "Le Tempérament Musical."

Hardcover: 821 pages
Publisher: Michigan State Univ Pr
Language: English